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We are excited to announce our debut at FOG Design+Art with a selection of works that consider how artists engage with uncertainty, not as a theme, but as a working condition. Our presentation brings together practices that question inherited ideas of progress, authorship, and technological inevitability through material decisions and physical processes. Across sculpture, painting, and systems-based work, the artists explore interruption, repetition, balance, and transformation, foregrounding material presence and conceptual clarity.
Several works address systems—cultural, architectural, or digital—by slowing them down or interrupting them. Jose Dávila’s cut-out images revisit canonical moments of modern visual culture through absence, shifting attention from icon to structure. Troika’s Reality is not Always Probable translates algorithmic logic into a painstaking manual process, transforming computation into a physical, time-based experience. Pablo Dávila’s phase paintings register movement and change as cyclical rather than linear, resisting the idea of constant advancement.
Material intelligence is central throughout the presentation. Claudia Comte’s marble cans reverse expectations of industrial design by rendering a disposable object in a geological medium. Artur Lescher’s suspended sculptures depend on balance, gravity, and spatial awareness, activating the viewer’s body in real time. Pia Camil’s works, made from recycled denim, retain traces of use, touch, and intimacy, situating abstraction firmly within lived experience.
Presented in San Francisco—a city shaped by innovation, capital, and rapid transformation— our presentation foregrounds works that remain attentive to material presence and conceptual clarity. Together, they propose art not as prediction, but as a space for reflection, tension, and sustained looking.
